Before there were the quirky, kind of snotty (but in a good way) stylings of Japanic, there was de Schmog, Houston's avatars of boy-girl weirdo pop for the young inner loop scenesters. Coming close to having a residency at Rudyard's in the early 90's, de Schmog developed a loyal following among the Montrose artsy-fartsy crowd, many of whom have longstanding Rudyard's residencies of their own, if only at the beer tap.
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