TIERS came about rather nebulously in the hazy hours when late becomes early and when consciousness yields to instinct. It is in these bleak hours that Jennifer Mears (vocals, synth, electronics) and Cult of Youth‘s Glenn Maryansky (electronics, synth, bass) write songs that ride the line between sterility and blissful grime, often going from stark airy synthpop to dense, almost industrial fuzz within the same song. It is this dynamic that separates...
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