Commenter   Comment   Posted On   Date  
 mattflood best show of all time Times Like These / Discount Face Tattoos / The Everafter / Days on End Feb 21, 2022
 cenzieliddell My first concert ever The Cheetah Girls / Vanessa Hudgens / Jordan Pruitt Feb 21, 2022
 Jason Pettigrew This was one of my favorite line up at molson park. I can remember getting to the park and Screaming Trees were on stage. I also remember Oasis stopping through their set cause Liams butt was getting hurt from all the plastic bottles being tossed on stage to Neil Young doing an acoustic set with the moon rising to the east of the stage, to the longest version of like a hurricane I have ever heard from a Neil Young Concert. Neil Young & Crazy Horse / Oasis / Screaming Trees / Spiritualized / Gin Blossoms / Jewel Feb 21, 2022
 Jason Pettigrew One thing that stands out from this festival is seeing Gord Downie walking from the stage with no security to the sound booth during other bands sets. Another Roadside Attraction Feb 21, 2022
 nora my first concert ever! Owl City / Mat Kearney / Unwed Sailor Feb 21, 2022
 nora I got to make the song request at this show! I requested Kids Don’t Stand a Chance Vampire Weekend / Chicano Batman Feb 21, 2022
 nora This was the best day of my life Charli xcx Feb 20, 2022
 Julvannah 10/10 show met him after mgk (fka Machine Gun Kelly) / jxdn / carolesdaughter Feb 20, 2022
 arroyoseco Don't worry I regret this one, and not just cause it was low key boring. Owl City / Rozzi Crane Feb 20, 2022
 callaghanmichael-us https://www.rollingstone.com/music/music-lists/crossroads-guitar-festival-2013-17304/the-allman-brothers-and-eric-clapton-214912/ Eric Clapton / The Allman Brothers Band / B.B. King / Buddy Guy / John Mayer / Keb' Mo' / Gary Clark Jr. / Sonny Landreth / Albert Lee / Robert Cray / Steve Cropper / Booker T. Jones / Andy Fairweather Low / Kurt Rosenwinkel / Keith Urban / Taj Ma... Feb 20, 2022
 callaghanmichael-us Squeeze did a surprise show sponsored by MTV the night before they headlined MSG. Squeeze Feb 20, 2022
 arlin Collin getting the crowd to chant “EVERYONE’S A LOBO WOOF WOOF WOOF” was a 10/10 experience The Maine / Greyscale Feb 20, 2022
 aubyn gracey and another artist opened Anne-Marie / HRVY / Samantha Harvey / Gracey Feb 20, 2022
 callaghanmichael-us The band was at a table in the bar drinking pints of Guinness before the show. The Pogues Feb 20, 2022
 James F Byrnes *I met David Johansen at this show while waiting in line at the men's room. He asked me about what I thought of the show. New York Dolls Feb 20, 2022
 hatfieldpdx Band comprised of Makaya McCraven (drums), Jeff Parker (guitar), Junius Paul (bass), and De'Sean Jones (tenor sax, flute). Makaya McCraven Feb 20, 2022
 callaghanmichael-us https://www.larrydobrow.com/post/167305785034/springsteen-on-broadway-11717-1-the-very Bruce Springsteen / Patti Scialfa Feb 20, 2022
 callaghanmichael-us Anne, Sean, Megan and Eric Callaghan attended. U2 / Interpol Feb 20, 2022
 callaghanmichael-us Who's Next released 2 weeks after the concert. The Who / Labelle Feb 20, 2022
 callaghanmichael-us By John S. Wilson Two of the most highly developed techniques in the jazz world were on display Monday night at the Wall man Rink in Central Park— the piano technique of Oscar Peterson and the vocal technique of Ella Fitzgerald. Mr. Peterson has not been heard in New York for several years. But, joining in the Schaefer Music Festival on Monday, he showed that his fingers were as fast and strong as ever as he built performances that went running, running, running up and down the keyboard. There were touches of rolling, easy rhythm to offset the relentlessness of his high ly charged attack. But the most effective balancing voice in his program was provided by George Morath, his bassist, who set up some effective countermelodies that brought Mr. Peterson down to a less hectic level than he usually plays on and, as a consequence, introduced some welcome shading to his performance. Miss Fitzgerald, from whose voice notes flow as fluently as they do from Mr. Peterson's piano, was in high spirits and exceptionally fine fettle. In successive numbers, she summed up brilliantly two extremes of her unique manner of vocalizing—a “Body and Soul” that was a masterpiece of subtly built variations that took her from the very top to the rich, strong bottom of her range, and a slam‐bang, eruptive version of “Mas Que Nada” full of clicks, shouts and mutters that came on like a happy Saturday night brawl. Spotting Benny Goodman in the audience at the first of the evening's two shows, Miss Fitzgerald sang a song she had recorded with his band in 1936, “Good Night, My Love.” Since this is not a song that she would have had much occasion to sing during the last 35 years, it was a remarkable display of total recall on her part and alert ad‐lib backing by the Tommy Flanagan trio. Ella Fitzgerald / Oscar Peterson Trio Feb 20, 2022